It’d also be great if you could let me know of any POC artists or zines that I can get in contact with about possibly being a part of this. Many thanks!
“The Ovarian-Psycos Bicycle Brigade Make a Space for Women on the Eastside
Two months ago, when 22-year-old Bree’Anna Guzman was murdered in Lincoln Heights, the all-women bike group Ovarian-Pscyos Bicycle Brigade scrapped their previously planned ride to ride instead through the neighborhood to protest the killing.
“Whose Streets,” one woman called out.
“Our Streets” the more than 30 women riding answered.
While many recent bike groups are either bicycling for recreation, bringing awareness to bicyclists on the road, or use the bicycle for social justice movement events, the Ovarian-Psycos Bicycle Brigade is a community inspired women’s movement that does all of the above and then some.
In Los Angeles, fewer than 1 in 5 people cycling were female, according to preliminary data from the Los Angeles County Bicycle Coalition’s most recent bicycle count. While this trend has been the constant in cities across the nation, the number of female bicycle groups in Los Angeles has grown from just a couple a few years ago, to at least four.
The currently all-Latina collective with roots from various parts of the Eastside pride themselves with their exclusivity to women, with sticker slogans like “Ovaries so big, we don’t need no fucking balls.” Their monthly all-women Luna Rides, which takes its name from the moons connection with a woman’s menstrual cycle, bring up to 30 women riders each ride. For their two-year anniversary in July, the Ovarian-Psycos are also planning the first female version of the monthly Critical Mass, which will be called Clitoral Mass.
For many of the women it’s their first time being involved in an all-female collective. The oldest members are 33 and the youngest is 20. Some are artists that ride bikes, and some are pure bicyclists. Yet the Ovarian-Psycos has become a type of sisterhood that, for many, they have never had before.
“Being around women, learning that we can interact in a way that was not hostile or competitive; it’s been a very new experience,” said Magally “Maga” Miranda.
Though the group has found stability recently, the group’s continued existence was never a sure bet. On the very first Luna Ride in July 2010, Xela, the de facto leader of the group at the time, hit a pothole on the road and fell face forward off her bike, hospitalizing her for two weeks. Andrea Ramirez, or “La Blackbird,” recalls that many bike riders didn’t come back after the first ride because they were scared.
Though one half left, and another came back for the second Luna Ride, Xela said, the group stagnated for the first year, never topping more than 20 riders.
“I was worried always that it’s going to die someday,” Xela said.
Yet, right before the Ovarians one-year anniversary, Xela started to recruit core members to better organize the group. After the one-year anniversary at Solidarty ink, and with a fairly consistent 12 core members, the group finally started to take off. Like before, each ride had a theme. Specific workshops involved speakers, and teachers on a range of social issues, and bicycle issues. Some workshops talked about women’s health, while other covered self-defense. Yet, the groups were getting bigger, and the core members were helping spread the word.
Many of the women say they feel they are not taken seriously in the biking community because their rides aren’t as long as traditional rides, there are usually many first-time riders, and the ride will stop and wait for one person. But, these limitations, Ova member Natalie Fraire said, can be a positive.
“We are encouraging a lot more riders and that’s more important,” said Fraire.
Riding as a women group has also made the riders more aware of the difficulties of riding in the city as a woman. Individually, or in small groups, Ova Elvira “Ashes” Arvizo has been catcalled by men on the street, and during one Luna Ride, the group noticed a male motorist was trailing the group. The women stopped and started to yell at the motorist, which caused him to flee.
Creating Sisterhood
As the group has grown, the women have needed to get closer. Many of their biweekly meetings resemble the chaos of a family dinner. At a recent meeting, Maryann “La Fingers” Aguirre would belch across the room, giving many of the girls a laugh, and Fraire ran to the oven to find she burned the artichoke dish brought. If the meeting ever got out of order, a clit checker (meeting organizer) would bellow out a warning to get the meeting back on track.
Each Ova have brought various skills in community organizing, photography, graphic design and bike mechanics which they also share with the rest of the group. Gloria “GLoTography” Vasquez takes most of the photos that are on the groups websites, but she has also taken the time to teach Ovas like Fraire how to use a camera. The group has also helped Vasquez to break her shyness and talk more with women on rides.
“Now run into women across streets and able to converse with them than just pass them by,” said Vasquez.
Each season there are rotating leaders of the group called a left and right ovary, and many of the women are expected to step up to take care of a portion of their work.
Many of the women have never ridden with an all female bike crew, and let alone worked with an all-women group. Yet, the same reason Xela started the group is the same reason the women joined: they couldn’t connect with the rides already in LA.
Andrea “La Blackbird” Ramirez said she could never get comfortable riding with the Midnight Ridazz because men always outnumbered women. Aside from men outnumbering women during Critical Mass, Arvizo said will leave riders behind, and that can deter a young woman-rider to join a ride.
The Ovas offer a space for women, Xela said. And the rides though recreational, can become extremely personal, with some events bringing women to tears. During a stop on their ride that was themed on domestic violence, many women came forward about their experiences.
The personal nature of the rides, and the already numerous LA bike rides is the reason Xela said, why it’s exclusive to women.
“It’s just a time for women. If they are trying to open up, won’t be comfortable opening up if there are men around,” said Aguirre.
Xela, whose been a part of women collectives that have never lasted, said she knew the Ovarian-Pscyos was a different type of all woman collective at the one-year anniversary. Jocelyn “Joss the boss” Hernandez brought a cake she made and designed to the group at the end of an interview at the Boyle Heights online radio station Centro de Comunicación Comunitaria. The cake had a symbol of a car with a slash over it.
“You do that for your sister, your best friend, and she did this for the Ovas. “That’s nice”
For more information on the Ovarians, send an email to ovarian.psycos@gmail.com or go to their website at ovarianpsycos.com.
Thought a lot of you would enjoy this article.
(via wilwheaton)
The Origins of Contemporary Chican@ Anarchism
“Modern Chicana/o/ Mexicana/o/ Central and South American identity and experience in the United States has been shaped within the context of the invasion, colonization, occupation, and redefinition of nation state…
The NYTimes took a break from Hurricane Irene coverage with a pretty great writeup of ASCO, the legendary ’70s Chicano Artist Collective that pioneered the first wave of art incorporating chicano identity with performance and Dada. Article linked above.
(via tierracita)
A Xicana Codex of Changing Consciousness: Writings, 2000–2010
from Amazon:
A Xicana Codex of Changing Consciousness features essays and poems by Cherríe L. Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship. Combining moving personal stories with trenchant political and cultural critique, the writer, activist, teacher, dramatist, mother, daughter, comadre, and lesbian lover looks back on the first ten years of the twenty-first century. She considers decade-defining public events such as 9/11 and the campaign and election of Barack Obama, and she explores socioeconomic, cultural, and political phenomena closer to home, sharing her fears about raising her son amid increasing urban violence and the many forms of dehumanization faced by young men of color. Moraga describes her deepening grief as she loses her mother to Alzheimer’s; pays poignant tribute to friends who passed away, including the sculptor Marsha Gómez and the poets Alfred Arteaga, Pat Parker, and Audre Lorde; and offers a heartfelt essay about her personal and political relationship with Gloria Anzaldúa.
Thirty years after the publication of Anzaldúa and Moraga’s collection This Bridge Called My Back, a landmark of women-of-color feminism, Moraga’s literary and political praxis remains motivated by and intertwined with indigenous spirituality and her identity as Chicana lesbian. Yet aspects of her thinking have changed over time. A Xicana Codex of Changing Consciousness reveals key transformations in Moraga’s thought; the breadth, rigor, and philosophical depth of her work; her views on contemporary debates about citizenship, immigration, and gay marriage; and her deepening involvement in transnational feminist and indigenous activism. It is a major statement from one of our most important public intellectuals.
(via fuckyeahchicanawriters)
(via dailymurf)
A major rediscovery—the first novel by a Mexican American Woman
María Amparo Ruiz de Burton was the first Mexican American woman to write novels in English and the first nineteenth-century California writer to publish a novel in the aftermath of the Mexican-American War. Her first book, Who Would Have Thought It?, tells the story of Lola, a young, orphaned Mexican girl rescued from Indian captors by one Dr. Norval, who returns with Lola to his New England home. Though the townspeople initially shun the interloper, they become transfixed by Lola once word about the gold accompanying her gets out. Through the riveting personal story of a young girl’s coming-of-age, Who Would Have Thought It? offers a stunning portrayal of the clash of cultures and communities, and a fresh perspective on Civil War America.
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